One of the privileges of having this space has been doing our Sundays With Writers interview series. The other privilege has been getting to sneak peek books before they hit store shelves so I can share them with you. Whiskey & Charlie was provided to me by NetGalley a couple of months ago and I simply could not put it down. I even included it last month in my must-read list! This book will be hitting store shelves on April 7th, but I already read the exciting news that this one has been selected as a Target Book Club pick for April.
How exciting is that for our featured author today?
Whiskey and Charlie might have come from the same family, but they would tell you two completely different stories about growing up. Whiskey is everything Charlie is not – bold, daring, carefree – and Charlie blames his twin brother for always stealing the limelight, always getting everything, always pushing Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.
When they were just boys, the secret language they whispered back and forth over their crackly walkie-talkies connected them, in a way. The two-way alphabet (alpha, bravo, charlie, delta) became their code, their lifeline. But as the brothers grew up, they grew apart.
When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, Charlie can’t make sense of it. Who is he without Whiskey? As days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to consider that he may never get to say all the things he wants to say. A compelling and unforgettable novel about rivalry and redemption, Whiskey & Charlie is perfect for anyone whose family has ever been less than picture-perfect.
This story is incredibly moving and bittersweet. The author does a great job tackling the difficulties of sibling rivalry, what it would be like to be a twin, and how even when we don’t always like our family members, they are always our family and loved.
To me though, the most ambitious element of this book is that the author uses the phonetic alphabet for each chapter that perfectly weaves into the story and adds another level of charm to this book.
Please grab a cup of coffee and settle in for this fun interview with Annabel Smith today!
The story of Whiskey & Charlie, identical twin brothers now estranged, was such a beautiful telling of the messiness and challenges of sibling rivalry. In telling their story, you adopted the phonetic alphabet, something these two were fond of using on walkie-talkies as kids, as the chapter names for your book. How did you decide to incorporate this unique element in your book and did these names actually help to drive the plotlines of your story?
I’ve always been interested in novels which have unique structuring principles, like David Nicholl’s One Day. When I began writing the book that became Whiskey and Charlie, I had recently learnt the phonetic alphabet. I decided to explore the possibility of structuring the novel around the alphabet. Some chapters were easy: Charlie, Juliet, Oscar and Mike all became characters in the novel; Lima and Quebec became the settings for various episodes, definitely taking the novel in directions it might not otherwise have gone! Certain chapters haunted me: how was I going to build part of the story around ‘Yankee’ for example? But it all came together in the end, and for a novel that tells the story of the communication between two brothers, the two-way alphabet feels like the perfect metaphor.
Why was there a title change from Whisky & Charlie Foxtrot to just Whiskey & Charlie with the US release of your book? How did you feel about that?
David Shafer released his novel Whiskey Tango Foxtrot in August 2014 and the team at Sourcebooks were concerned people may confuse the two books. I was disappointed at first, but the title is just one small part of a book: it’s what’s inside that counts and that hasn’t changed.
Was writing your first book, A New Map of the Universe, easier than writing this second one? I think as readers we think the debut must be the hardest.
I definitely found writing the second novel easier. With my first novel, A New Map of the Universe, I had no idea what I was doing. I had never written anything longer than 8,000 words and every time I contemplated the size of the whole, I became completely paralysed. By the time I came to write Whiskey and Charlie I at least had the confidence of knowing I could write a book, because I’d already proved it to myself. Of course there were different challenges to face – each book has it’s own problems that have to be worked through, but the alphabet structure gave me a starting point for each new chapter, which helped me overcome the terror of the blank page.
How much research did you do to prepare for Whiskey’s coma and writing the medical terminology and explanations that were given to the family? What did you find most surprising about comatose patients?
I did a huge amount of research on coma, because I didn’t have any knowledge about it at the outset, either theoretically or experientially. I read medical websites, hospital information pamphlets, and coma support group message boards, as well as studying the stages of death and grief. It was important to me to understand the physical side of coma as well as the psychological implications for family and friends. The two most surprising things I learned were firstly, how many additional things can go wrong when someone is in a coma, and also, how people can emerge, relatively intact, from comas that last for many months or occasionally even years.
The Small Press Network issues the MUBA’s (Most Underated Book Awards) each year and Whiskey Charlie Foxtrot was one of the 2013 selections. How did it feel to make that list and do you think this is what helped with the book being issued in the US?
I was so thrilled to be on the Most Underrated Book Awards shortlist. It was flattering to have someone acknowledge that it perhaps deserved to have more attention than it got. But I don’t think that was a factor in the US publication. That came about because my Australian publisher showed it to Shana Drehs at Sourcebooks during Frankfurt Book fair and Shana thought it would resonate with a US audience.
What do you have in store for us in your next book?
My third novel, The Ark is quite a departure from Whiskey and Charlie. It tells the story of a group of scientists and their families who retreat into a bunker during a post-peak oil crisis, exploring human nature in desperate times. It is a contemporary version of an epistolary novel, told through emails, blog posts, text messages and memos and is accompanied by an interactive website with a fan fiction hub. However, despite its more experimental nature, it is similar to Whiskey and Charlie in the sense that it explore human relationships and how extraordinary circumstances can reveal people for who they really are.
If you could tell anyone to read one book (other than your own) what would that book be?
My all-time favourite novel is Ann Patchett’s Bel Canto, the incredible story of a prolonged embassy siege and the relationships which form between the hostages and their captors. Patchett has the most incredible insight into human behaviour and her prose is simply gorgeous. I have read this book at least half a dozen times and I get something new from it every time.
You can connect with Annabel Smith on GoodReads or through her website! I’m always thankful for these moments with writers and I hope you will pick up this amazing book! You can always connect with me on GoodReads,through our books section of our site, and you can read our entire Sundays With Writers series for more author profiles. Happy reading, friends!
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